Press

“... that rare thing: a modern opera that exerts an immediate emotional impact”

    

The Telegraph - Rupert Christensen

“... the most enthralling new operatic score I’ve heard for several seasons”   

 

The Times - Richard Morrison

"... genuine lyricism, rich harmonies, and gorgeous orchestration"

 

The Stage - George Hall 

“... the very stuff of opera”   

 

The Observer - Fiona Maddocks

"...hugely likeable"

 

The Sunday Times - Hugh Canning

"It had vitality and brilliance. Unlike many new commissions for the opera stage, it worked"

 

International New York Times - Michael White

“It is remarkable that Langer’s music manages to keep pace with the stylistic somersaults of the plot, but it does. Tango, pantomime, impending doom, youthful romance: she brings all to life, using a modest-sized orchestra”


 The Financial Times - Richard Fairman

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